Listen Up
Thursday, October 8th, 2009I am enamored of the experimental way some museums are re-examining the visitor experience, especially the launch yesterday* of a Vincent van Gogh iPhone application at the Van Gogh Museum Amsterdam. Viewing art is often a passive, spectator activity, which I why I am always captivated by creative explorations of art and artistic spaces. Museums often suffer, or perpetuate, the public’s perceptions of them as aloof and haughty. A modern audience is entitled to expect a greater degree of engagement using methods fit for the 21st century, in tandem with the traditional reflective personal perusal of the artwork. The advent of new technologies and creative collaboration between institutions, artists and the public has allowed a unique and refreshing rediscovery of museum attendance.
A few years ago, the Victoria & Albert Museum in London, the world’s largest museum of decorative arts and design, curated a sensory exploration of that venerable institution called “Shhh…” The museum commissioned 10 different musicians and artists to create sound-pieces in response to different rooms and spaces. The contributors were incredibly varied, from big art names like Gillian Wearing and Jeremy Deller, to musicians like Roots Manuva, David Byrne, Leila and Elizabeth Fraser. Infrared sensors triggered the applicable tracks on the your MP3 player as you toured the building. The whole experience was stunning.



Her experiment involved testing how separate groups who spoke German and Spanish used verbs to describe a bridge. The German speakers, in whose language a “bridge” has a feminine gender, used words like “beautiful,” “slender” and “elegant,” while the Spanish speakers, in whose language a “bridge” has a masculine gender used words like “strong,” “sturdy” and “towering.”
This is Part II of the post from Wednesday regarding 